Description

“BiPol VIII – linea contra punctus” belongs to a work series which acts, intermediates and balances between extreme contrasts. The five parts of the piece, one merged into the next, are composed strictly in twelve-tone and serial technique – but expand those methods of composition i.e. by creating twelve-tones-fields, voice changes and noise based sound figures as well as using elements of Minimal Music. The underlying twelve-tone row represents in a paradigmatic way the whole architecture of the work as a musical geometry of lines and points.